 Weekly field notes on arts, culture, and everything else from our critic-at-large.
By Morgan Meis |
Success Story Malcolm Gladwell, God bless him, wants to solve the problems he identifies in Outliers. But some problems can't be solved with a good story.
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Palate or Palette? The unlikely relationship between modern art and modern cooking.
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Put It to a Vote Just in time for the booboisie's vote, a reconsideration of Mencken's Notes on Democracy.
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Brownfields Morandi's tins and vases seem innocent enough, but look too long and you're trapped.
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Unnatural Selection Apply all the science to novels you want, Literary Darwinists. You'll still never quantify the human experience.
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Dear David Everyone appreciated David Foster Wallace, but never in quite the right way.
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The "Truth" Hurts With How Fiction Works, James Wood proves he has become a prisoner of what he got right.
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Street Life For Ernst Kirchner, the modern world expressed its deepest nature in the strut of the prostitute.
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Battle Scars PBS' The War of the World proves we're now ready to look back on the 20th century as we would any other.
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Nobody's a Critic So long, Kant! It's the end of days for the distance between critic and that being criticized.
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Deathmatch Conservatives will take death before tyranny. Liberals will take some time to negotiate.
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You Can't Take It With You For Rauschenberg, creating was about making the world more fascinating, about making art more real.
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Flatliner Murakami's Supeflat art celebrates one-dimensionality. What else could come out of Japan after the War?
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The Pacifism Quandary True pacifists believe all violence is counterproductive. What to do, then, about World War II?
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Light Show Art as theater: With its colors, lights, and mirrors, Olafur Eliasson's art is all about the viewer.
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Here Comes the Pope! How the pope's visit to the States is a test of our resolve.
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Charlton Heston's Last Act A benefit of getting old, we like to imagine, is the gaining of wisdom. Charlton Heston became a damn fool.
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John McCain: Worth the Fighting For What's interesting about John McCain's Worth the Fighting For aren't signs of a maverick, but rather evidence of a sad man.
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A Critic at Large Thoughts on art criticism from the 2008 Whitney Biennial.
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MoMA Has Designs Design used to take a back seat to art. Then came the messed-up aesthetics of today's world.
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Eliot the King How Eliot Spitzer's fall reads a lot like Oedipus Rex.
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Hillary Clinton: Living History There are no theoretical disputes in Hillary Clinton's Living History. There are just facts, facts as she saw them.
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Stare Master Frida Kahlo has The Look in her paintings. But is The Look a lie?
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Barack Obama: The Audacity of Hope If platitudes had weight, Barack Obama’s The Audacity of Hope would be impossible to lift off the table.
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Idoltry Fifteen minutes of fame — American Idol is brilliant because it actually delivers on the promise, then takes it away.
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The Car of the Future The automobile wowed both Futurists and fascists, who believed it would remake us or destroy us.
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The Ugly Truth On Ugliness is Umberto Eco's attempt at a treatise devoted to the homely and repulsive. It fails, but that's OK.
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The Dalí Shtick By the end, Dalí was a parody of the thing he'd created of himself. An exhibition reveals it wasn't all crap.
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The Death of Modernism Peter Gay's Modernism: So boring, so necessary.
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Art Basel Miami Beach: Day 4 Art Basel Miami Beach, Day 4: I take the plunge and finally make a purchase, once I find something I can afford.
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Art Basel Miami Beach: Day 3 Art Basel Miami Beach, Day 3: I relax on a $14 million yacht and return to the fair with a new perspective.
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Art Basel Miami Beach: Day 2 Art Basel Miami Beach, Day 2: I become overwhelmed by the fair's scope and focus on what's honest.
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Art Basel Miami Beach: Day 1 Art Basel Miami Beach, Day 1: I explore the host city for the country's most important art fair.
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Christmas: A Defense Christmas is about the presents. And the tree. And the idea that, for one night, space and time are controllable.
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Old Clams, Transparent Frogs, and Wordsworth Neither the world's oldest clam nor a transparent frog can solve the problem of life.
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Will You Please Stop Editing, Please? Raymond Carver needed help, like we all do, and his editor provided it. In the end, his stories are brilliant. Should anything else matter?
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The Prince The equalizing (and insidious) bad jokes of Richard Prince.
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Fear, Trembling, and a Shrug We failed to kill God the first time. Who's
to say what might happen the second time around?
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Malato Immaginario J.M Coetzee and James Wood agree on the human condition as revealed by literature; but for one it's a tragedy, for the other a comedy.
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Rembrandt Is Eyes For Rembrandt, eyes were more for looking at than looking through.
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The Meaning and Meanness of Mencken Mencken, in being such a relentless bastard, gave the American voice back a little of its humanity.
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Damien Hirst's Memento Mori Would you buy a $100 million diamond-encrusted skull from this man? Thoughts on Hirst (and Warhol).
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| The Trouble With Farmers Our critic tells gentlemen farmers where they can shove their homespun wisdom and self-righteousness.
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| Fragments From Budapest It is nearly impossible to get screws in Budapest. Screws are a dream here, an unfilled fantasy.
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Heidegger and the Milk in the Pan The world is always telling us about itself. Let us praise all this babble.
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| The Summer Jam The summer jam is as real as the summer itself, and the summer jam is a complete mystery.
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| Philosophy Is Dead Richard Rorty thought that philosophy was dead. And now he is, too.
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| Was Ryszard Kapuscinski Beyond the Truth? Ryszard Kapuscinski was great, but great in a way that leaves an odd taste in the mouth.
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| Emotional Animals Legislation proposed in Spain would have given monkeys the legal rights of humans. Our columnist agrees.
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