Orhan Pamuk is one of the world’s best-known novelists. The Nobel Prize-winning author’s fictions often focus on the lives, times, and people of his native Istanbul. His latest novel, A Strangeness in My Mind, was six years in the writing and tells of the life of one street vendor in the city. TSS editor Richard Abowitz reached Pamuk by phone in New York where he teaches at Columbia University.

TSS: The title of your new novel, A Strangeness in My Mind, comes, of course, from a Wordsworth poem — a massive work, The Prelude — but I’m struck by the way you use it, because, you know, we think of Wordsworth as a poet that loved nature, and, while he was pre-industrial revolution, he wasn’t exactly a fan of what he saw coming. You use it, in your new book: “In a city, you can be alone in a crowd, and in fact what makes the city a city is that it lets you hide the strangeness in your mind inside its teeming multitudes.” How did you think of applying Wordsworth to a city and as the title for your book? More… “5 Questions with Orhan Pamuk”

Richard Abowitz is the editor of The Smart Set. Get in touch at
Clayton tunnel, the site of an 1861 crash

Ah, Father Christmas, here you are again sir, and what is that you have with you, tucked under your arm? Why, a volume of Dickens, of course. Always Dickens at Christmas, right? And, if you’ve not yet gone to a production of A Christmas Carol, I’d bet you’re going soon, or else you’re going to be watching one of the many versions that will be on television here in the run-up to that greatest of days for some, and the hardest of days for others. Treat yourself right and go with the ’51 Alastair Sim effort or venture out a bit, and gather the family ‘round for a Christmas reading unlike any other. And no, I’m not talking the Carol. I’m talking about Dickens’ “The Signal-Man,” Christmas literature for how the other half lives. Not the denizens of Scrooge’s beloved workhouses (well, Scrooge pre-epiphanies… More…