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The name Ganja Acid combines the recreational sloth of marijuana with the cosmic distortion of the 1960’s most iconic chemical without offering any hint that it belongs to a four-seat psychedelic bar. A friend suggested my wife Rebekah and I visit it while on our honeymoon in Osaka. Although I no longer smoked weed or dropped acid, I still loved the psychedelic: surreal books, occult verbiage, hippie satire, and trippy music that sounded like it was made on mushrooms. They were fun and reminded me of the risky excitement required to warp reality in order to examine it. The thing was, neither ganja nor acid were legal in Japan. While marijuana shops had popped up all over Portland where we lived, over there, even the smallest amount of weed brought first-time offenders a minimum of five years hard labor.

Japan’s 1948 Cannabis Control Act outlawed the commercial cultivation of hemp after WWII. Because modern pharmaceuticals have recreational uses, Japan also outlawed the unauthorized possession of many opioid painkillers like codeine and banned amphetamines like Adderall that are used to treat ADHD. It didn’t matter how commonly they were prescribed in other countries. It wasn’t a matter of clinical efficacy. The laws treated them with the same firm hand as heroin and cocaine. In June 2015, a high-level Toyota Motor Corp executive was arrested for having 57 oxycodone pills hidden in a package, mailed to her Tokyo hotel from the United States. Authorities held her for 20 days, and, after she resigned her high-profile post, and after she was widely discussed in the media, they let her off without formal charges. This is common in Japan, where the process is often the punishment for people who apologize and express remorse. Although oxycodone was legally prescribed there, the exec didn’t have a prescription and she didn’t get official governmental approval in advance.

More… “Ganja-Acid”

Aaron Gilbreath is the author of the personal essay collection Everything We Don’t Know, and the ebook This Is: Essays on Jazz. An editor at Longreads, his essays and articles have appeared in Harper’s, The New York Times, Paris Review, Kenyon Review, Lucky Peach, Brick, and Saveur. He’s working on a book tentatively titled Tanoshii: Travels in Japan. @AaronGilbreath
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Why do poets drink so much? Does it help them write better poems? – Nick S.

 

I’m not so sure drinking and writing poetry go hand in hand these days as they used to. Most poets write at the top of the morning while their wits are sharpest, maybe while drinking coffee, which I’m pretty sure is not the “drink” you are implying. As far as alcohol being able to help poets write better poems, I can only say that it doesn’t help me. Maybe it can lead to experiences that will wind up somehow in one of my poems, but I can’t say for sure. Indeed, alcohol helps me do a lot of things, but writing good poems is not one of them.

I doubt that poets drink any more than anyone else in the Americas or… More…

Philosopher, party animal

If the Bacchanalia created a blueprint for our most depraved debauches, the ancients also bequeathed us its more elegant counterpart: the learned drinking party or symposium. Like the Algonquin roundtable of 1920s New York, it was a brilliant excuse for all forms of excess: In classical Athens, A-list philosophers like Plato, Aristotle, and Socrates loved to gather for wine-fueled intellectual bouts, during which they would recline on sumptuous couches, sip wine from ornate goblets, be entertained by beautiful lute girls and handsome dancing boys, and throw themselves into scintillating debate. In fact, Plato’s fundamental tract, The Symposium, is based on a real party in 415 B.C. Athens, attended by a revolving cast of artists, thinkers, and politicians, including the playwright Aristophanes and the dashing, up-and-coming general Alcibiades. The wine was mixed with water in a bowl called a krater, then passed amongst the guests in a communal… More…