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Aspiring writers must navigate the legions of advice from the legends who came before — not a simple task in a world that idolizes both Faulkner and Hemmingway. Read about teachers who advise their students against the use of the word “said,” and graduate programs that reject the use of anything but. (The Wall Street Journal, The Smart Set)

Romanticism, though hard to define, aims to transcend medium, create pure feeling, and remain subject to the whims of chance, sometimes resulting in art that takes the form of blank canvases and bathroom fixtures. Read about unusual copyright claims to John Cage’s romanticist piece “4’33” and Duchamp’s lifelong struggle to find the paradoxical non-medium. (Pigeons and Planes, The Smart Set)

They bite at night and are the scourge of humanity. Read about the math of mutually-assured vampire-human destruction and the existential dilemma of bedbugs. (Atlas Obscura, The Smart Set) •

Maren Larsen is the associate editor of The Smart Set. She is a digital journalism student, college radio DJ, and outdoor enthusiast.
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In the early days of the 20th century, Picasso met some rich and careless Americans. “These folks,” Dave Hickey wrote in his book The Invisible Dragon: Essays on Beauty, “are no longer building gazebos and placing symboliste Madonnas in fern-choked grottos. They are running with the bulls — something Pablo can understand. They are measuring their power and security by their ability to tolerate high-velocity temporal change, high levels of symbolic distortion, and maximum psychic discontinuity.”

Morgan Meis has a PhD in Philosophy and is a founding member of Flux Factory, an arts collective in New York. He has written for n+1, The Believer, Harper’s Magazine, and The Virginia Quarterly Review. He won the Whiting Award in 2013. Morgan is also an editor at 3 Quarks Daily, and a winner of a Creative Capital | Warhol Foundation Arts Writers grant. A book… More…