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Some stories have fantastical endings. Matthew Vollmer’s forthcoming Gateway to Paradise, a smart collection of short stories, begins with “Downtime,” wherein a dentist named Ted Barber is haunted by the loss of his wife, Tavey, who drowned on their honeymoon. He flew back to Valleytown, North Carolina, knowing that his wife’s body was stowed in the cargo bay of the plane he is on. He is now having a hot affair with his assistant, who is formidably competent and would be a great wife, but images and reminiscences of Tavey keep pulling him away from Allison. He has weird imaginings, weird dreams, or perhaps they are hallucinations. They are certainly hallucinatory. He swims with Tavey off the coast of Mexico and, after trying to shake her off — her dimly lit, sketchy, almost transparent body — he gives up. She hangs in and he finds himself giving into her. He allows her to find places in his body where she can hold onto him. He knows this is slightly insane, but he finally decides both women will be with him: one in the real world, one in another world. As odd or weird as this sounds, it is simply a metaphor for how a man whose wife has died must accommodate both the memory and the reality, the woman lost and the woman he needs now. At the same time, the image of the husband taking his dead wife’s corpse into his own body makes a striking impression. It is not unrelated to Franz Kafka’s insect in the Metamorphosis. And if you have not read the Metamorphosis, you must put down this essay right now and go straight there. Then read “Downtime.” More… “Imagined Endings”

Kelly Cherry‘s new poetry book is Quartet for J. Robert Oppenheimer. Her book of flash fiction titled Temporium is forthcoming later this year.
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I recently finished college and a competitive, labor-intensive internship. I’m going to be starting a new job in a couple of weeks, but instead of feeling proud or relieved to have completed my studies, I feel nervous. Why does The End seem so ominous? — Patrick E.

 

Well, as the old adage goes, the end is the beginning of something else. It is the beginning of the unknown — that’s why it can be so scary. That’s why it can fill us with unease, but remember that we would get bored if life were predictable. We love the unknown in books, for example. We love movies that shock and awe, stories that end with a twist. We love poems whose endings make us hoot in delight:

“Endings”

Part II

Setting the V.C.R. when we go to bed to… More…