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When an anonymous tea drinker named comfortablynumb decided to buy a new electric kettle, he asked Chow Magazine’s community forum for help. He’d owned a Chantal kettle. He’d owned a Wolfgang Puck. Both had broken, with one rusting and the other chipping enough to send bits of lining into his tea cup, a process which mystified and irritated him. “I want a stainless kettle,” he told the forum, “and prefer it to not be made overseas.”

For the last eight months, comfortablynumb had been boiling water in a small German saucepan. 150 years after first harnessing electricity, was this what civilization had come to? Boiling water in a pan? For those of us fortunate enough to have enjoyed electric kettles, this anonymous poster’s process sounded tragic — a pitiful inconvenience on par with Homo erectus cracking open seed pods with stones in order to eat. Never mind that boiling water in pans is exactly what human beings had done for ages and that such simple measures had somehow, with the advent of convection ovens, crock pots, and the microwave, come to look primitive rather than timeless. What next, boiling water over a campfire? More… “Please Tea Me”

Aaron Gilbreath is the author of the personal essay collection Everything We Don’t Know, and the ebook This Is: Essays on Jazz. An editor at Longreads, his essays and articles have appeared in Harper’s, The New York Times, Paris Review, Kenyon Review, Lucky Peach, Brick, and Saveur. He’s working on a book tentatively titled Tanoshii: Travels in Japan. @AaronGilbreath
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THE GHOST SHIFT
Somewhere between Doyle and Lovecraft, there's Alice and Claude Askew’s Alymer Vance, supernatural detective.
BY COLIN FLEMING
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It is not difficult to imagine Sherlock Holmes, that great eschewer of the supernatural, firing his clay pipe into the fireplace at 221B were he made aware of the cottage literary movement birthed by his adventures. People tend to forget that the detective and his dogged, Boswellian biographer Doctor Watson, investigated through the first quarter of the 20th century, existing as surely in the age of Babe Ruth as they had in the Victorian era of Wilkie Collins. There were, of course, hundreds of Holmes knock-offs and pastiches throughout the detective’s run, as there are now, but what some writers, at least, had the good sense to realize was that simply recasting the model of the genius deducer and his very human foil/partner was not going to achieve any more than serve up some Sherlock-lite. A new wrinkle was needed. Enter, then, the ghosts, and the duos who investigate them.

In the summer of 1914, when the wife and husband duo of Alice and Claude Askew published the eight stories that comprise the collected adventures of Aylmer Vance, “ghost-seer” — there’s something for a business card for you — supernatural fiction was going through a crucial change. The ghost story, long dominant in England, from where the Askews hailed, and which made up a goodly chunk of the best literature yet written in the States, had started to morph into the weird tale, the stuff that would dominate the pulps in the 1930s and 1940s, giving rise to those limited edition book runs at places like Arkham House, which recast horror writing much as Hawthorne, Poe, and M.R. James once had. Humans, now, were often the agencies of the macabre, or else elemental forces from the beyond divorced of human form, but borne of human crisis and strain. The dead girl in the glowing white dress, less so.
More… “The Ghost Shift”

Colin Fleming writes on art, literature, film, rock, jazz, classical music, and sports for Rolling Stone, JazzTimes, The Atlantic, Sports Illustrated, The Washington Post, and a number of other publications. His fiction has recently appeared in AGNI, Boulevard, Cincinnati Review, Commentary, and Post Road, and he’s the author of The Anglerfish Comedy Troupe: Stories from the Abyss (Dzanc), and is writing a memoir, Many Moments More: A Story About the Art of Endurance, and a novel about a reluctant piano genius, age seven or eight, called The Freeze Tag Sessions. He’s a regular contributor to NPR’s Weekend Edition. His tattered, on-the-mend website is colinfleminglit.com, and he highly recommends reading The Smart Set daily, along with ten mile coastal walks and lots of Keats and hockey for the soul.
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The sun sets on the last outpost of Western Civilization.

I’ve just returned from Oxford, England, where everything is twice as expensive as it is here, where the weather is crappy and most of the food tastes like boiled cardboard. That said, I still want to take a room in one of those lopsided little houses built in the 12th century and stay for the rest of my life. It’s something I’ve felt fleetingly during previous visits to Europe, but, this time, the feeling was more pronounced. At Oxford, I had the sense of being truly in Western Civilization, with the added poignancy that this might be a last and dying outpost.

 

As everyone knows, Western civilization has its faults — which I will return to discuss later — but it’s hard to think ill of it when you stride through the cobbled streets of Oxford. There you… More…