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2006. Just a bit more than ten years ago. Two mega blockbusters were released in India, and three stars were born into the industry called Bollywood. One was a 21-year-old called Deepika Padukone. The other two were star kids, destined to be in the industry; Sonam Kapoor and Ranbir Kapoor. For those of you who are not familiar with Bollywood, Sonam Kapoor and Ranbir Kapoor are of Bollywood pedigree. Born to stars, they chose to make a life for themselves in the same space as their parents and — in Ranbir Kapoor’s case — grandparents and great-grandparents too. They did it quite successfully, too, might I add.

More… “A Star is Made”

Anvita Sudarshan is a writer and filmmaker living in Mumbai. She started her career in writing by co-founding and editing a children’s magazine named Geo-Junior and then extensively for another popular children’s magazine in India named Tinkle. She spent her early twenties modeling, winning pageants (including Miss India Worldwide) ,the experiences of which culminated into a recent book, Beauty Queen, which being published by Amaryllis, is likely to hit the stands by Autumn 2017. As a filmmaker, she has written a number of feature scripts and has made films for both analogue and digital fora. She has also initiated a series of filmmaking workshops in India for young people as a way of visually expressing thoughts that can be woven into cinematic stories. She is now working on screenplays and a novel that portray the fortitude of women under challenging life circumstances. She also regularly writes for a YouTube Channel called Slang.
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For many performers, top billing at the county fair is as good as the comeback trail ever gets. Michael Jackson had bigger ambitions. Two years ago, London’s Daily Mail reported that the singer was not only planning to go a 250-date reunion tour with the Jackson 5, he was also going to build a Las Vegas casino and hotel. And a museum. And a sports stadium. Why not a light-rail system too, one wondered. Or at least a shopping center.

And yet as grandiose as Jackson’s career renovation plans seemed, they had a certain plausibility. He’d won 13 Grammys, enjoyed 13 #1 singles, and sold 750 million records worldwide. But for most of the previous 15 years, he’d been a notably underutilized commodity, producing only one album of original music and performing infrequently. Sure, there was a steady drip of increasingly redundant “greatest hits” albums, and “ultimate collections,” and “essential”… More…