The polar bear is not only the planet’s biggest land-based carnivore, but it also has a long and colorful, if often violent, history of interaction with humans, which is the topic of an illustrated new book titled Ice Bear: The Cultural History of an Arctic Icon (University of Washington Press, November 2016) by Michael Engelhard. Michael Engelhard is both a cultural anthropologist and a wilderness guide. He is the author of two essay collections, Where the Rain Children Sleep and American Wild, and the editor of four anthologies, including Wild Moments: Adventures with Animals of the North. Engelhard lives in Fairbanks, Alaska.

More… “Big as a Calf, White as a Swan”

Bernd Brunner writes books and essays. His latest book (in German) is When Winters Were Still Winters: The History of a Season. His book Birdmania: Remarkable Lives with Birds will be published by Greystone Books in 2017. He is a fellow and nonfiction resident of the Carey Institute for Global Good in Rensselaerville, New York. His writing has appeared in Lapham’s Quarterly, The Paris Review Daily, AEON, TLS, Wall Street Journal Speakeasy, Cabinet, Huffington Post, Best American Travel Writing, and various German-language newspapers. Follow him on twitter at @BrunnerBernd.

According to the online website The Death Clock, a man born on my birthdate can be expected to die 20 years from now in 2036. This assumes, however, that the entire human race does not become extinct before the estimated date of my demise.

More… “Countdown to Extinction”

Michael Lind is a contributing writer of The Smart Set, a fellow at New America in Washington, D.C., and author of Land of Promise: An Economic History of the United States.
Why photograph Theo Jansen's kinetic sculptures, the Strandbeests? Well, why photograph anything alive?

If you are lucky, and if you happen to be on the Dutch shore of the North Sea, and if it is a windy day (a not-unusual occurrence), you just might see a new sort of creature walking down the beach. This creature will be walking in fits and starts, activated by gusts of wind, animated in one part of its “body” and then another. Atop the creature, you will see sheets of fabric that look like sails of a small ship. Upon closer inspection, you’ll notice that the rest of the creature is made entirely of plastic tubing, what’s known as PVC. PVC stands for “polyvinyl chloride.” The white plastic tubing you’ve seen in thousands of bathrooms and kitchens is PVC. Upon even closer inspection, you’ll notice that the creature is made of PVC and nothing else. You’ll ponder that for a moment. Nothing but PVC. How does it move, then? Isn’t there a motor somewhere? Aren’t there electronics on the inside telling the creature when and how to move? You’ll become shocked and disoriented by the realization that the creature isn’t controlled from anywhere else or by anyone else. It is simply walking of its own accord, having a little stroll on a windy day along the beaches of the North Sea, as if it were alive.
More… “Still Alive”

Morgan Meis has a PhD in Philosophy and is a founding member of Flux Factory, an arts collective in New York. He has written for n+1, The Believer, Harper’s Magazine, and The Virginia Quarterly Review. He won the Whiting Award in 2013. Morgan is also an editor at 3 Quarks Daily, and a winner of a Creative Capital | Warhol Foundation Arts Writers grant. A book of Morgan’s selected essays can be found here. He can be reached at