Well, it's no Nude Descending a Staircase...

In the early days of the 20th century, Picasso met some rich and careless Americans. “These folks,” Dave Hickey wrote in his book The Invisible Dragon: Essays on Beauty, “are no longer building gazebos and placing symboliste Madonnas in fern-choked grottos. They are running with the bulls — something Pablo can understand. They are measuring their power and security by their ability to tolerate high-velocity temporal change, high levels of symbolic distortion, and maximum psychic discontinuity.”

Morgan Meis has a PhD in Philosophy and is a founding member of Flux Factory, an arts collective in New York. He has written for n+1, The Believer, Harper’s Magazine, and The Virginia Quarterly Review. He won the Whiting Award in 2013. Morgan is also an editor at 3 Quarks Daily, and a winner of a Creative Capital | Warhol Foundation Arts Writers grant. A book of… More…

At war with thinking

In the year 1905, Henri Matisse painted a portrait of his wife wearing a rather extraordinary hat. The painting was displayed at the Salon d’Automne in Paris that same year. Much shock and controversy followed. To many, the hat looked like a giant lump of randomly chosen colors sitting atop the poor woman’s head. What, also, was the point of all the green on the woman’s face? People and hats don’t look like that. The world doesn’t look like that.

Morgan Meis has a PhD in Philosophy and is a founding member of Flux Factory, an arts collective in New York. He has written for n+1, The Believer, Harper’s Magazine, and The Virginia Quarterly Review. He won the Whiting Award in 2013. Morgan is also an editor at 3 Quarks Daily, and a winner of a Creative Capital | Warhol Foundation Arts Writers… More…