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In the past few months, scanning the new arrivals at my local library, I have picked up the same paperback novella several times. Drawn to its one-word title and desaturated blue and off-white spine, I never remember why I decided against it on previous occasions. Then I see the descriptive copy on the back cover, which begins with something like “Written in one long incantatory paragraph…” At this point I put it back on the shelf. I have no desire to read a book without paragraph breaks. The lack of white space on the page can make me feel a little panicky, like being on a train in an underground tunnel – what’s my exit strategy? Reading a book, I always glance ahead to see where the section or chapter ends, so I know when I can stop reading if I want or need to. Stopping mid-paragraph is deeply unsatisfying – no sense of closure, no easy way to remember where I left off when I next pick it up.
More… “The Art of the Paragraph”

Elisa Gabbert is the author of L’Heure Bleue, or the Judy Poems (Black Ocean), The Self Unstable (Black Ocean) and The French Exit (Birds LLC). Follow her on Twitter at @egabbert.
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