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Until we learn what sentences can do, we tend to underrate them. We treat sentences as if they were floors, a kind of planking, something we have to walk on in order to get to the next room. We are oblivious to the reality, which is that the planking is alive and walking all over it creates a kind of hurt. Our steps harm the delicate surface and whatever lies beneath it — mystery, beauty, a soul.

Even as children, we instantly recognize a line of poetry that carries music. In time we learn that sentences, too, carry music. Some writers may go overboard and try to turn each sentence into a line of poetry, but that does a disservice to the sentence, which has its own qualities and purposes. Nobody expects a young or new writer to master all these matters at once. That’s why we call the process of writing it writing and not written. Writing takes time. It also takes us, as I’ve said before, out of time, which is a great and joyous experience.

More… “What You Make, Make to Last”

Kelly Cherry‘s new poetry book is Quartet for J. Robert Oppenheimer. Her book of flash fiction titled Temporium is forthcoming later this year.
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