Among the overlooked gems of the influential but short-lived genre known as New Journalism is the curious account of the violent conflict between a small band of country hippies and local businessmen in rural Missouri in the spring of 1972. Uniquely evocative of its era, Charlie Simpson’s Apocalypse by Joe Eszterhas is set in the waning days of the war in Vietnam as America’s heartland is riding its last great wave of prosperity. Within two to three decades, countless Midwestern towns would be decimated by the 1980s farm crisis, the loss of good paying (read: union) manufacturing jobs, and the methamphetamine and heroin epidemics.
At the time, however, town elders in villages like Harrisonville, Missouri were focused on a more tangible enemy in the guise of a few shaggy-haired, weed-smoking ne’er-do-wells — many of whom were disillusioned Vietnam vets — instead of rising land prices, mounting debt, disastrous trade policies, and the rise of corporate agriculture. More… “Charlie Simpson’s Apocalypse“