Recently by Lynn Levin:

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A master of the American short story, Richard Burgin has, over the years, haunted us with a range of lonely, neurotic, occasionally criminal, yet weirdly sympathetic characters. Now in A Thousand Natural Shocks, we have a collection of Burgin’s greatest hits plus a few new tales, thanks to the astute selections of editor Joseph D. Haske.

Richard Burgin is the author of 20 books. He has received five Pushcart Prizes for his fiction, a distinction accorded outstanding literary work published by small presses. His book The Identity Club: New and Selected Stories and Songs was listed in The Times Literary Supplement as one of the best books of 2006 and noted by The Huffington Post as one of the 40 best books of fiction in the last decade. The title story of that collection, “The Identity Club,” was the lead story in The Best American Mysteries 2005 and appears in The Ecco Anthology of Contemporary American Short Fiction. “The Identity Club,” a tale of fraternity and fatal aestheticism, is also collected here, just one of the many best-of-Burgin stories in A Thousand Natural Shocks. In addition to his own contributions to the short story canon, Burgin is the founding editor of the internationally acclaimed literary journal Boulevard. More… “Prevalent Protagonists”

Lynn Levin is a poet, writer, translator, and teacher. She is the author of seven books, including the poetry collection, Miss Plastique; a translation from Spanish, Birds on the Kiswar Tree by Odi Gonzales; and, as co-author, Poems for the Writing: Prompts for Poets, second edition forthcoming 2019. She teaches at Drexel University. Her website is www.lynnlevinpoet.com.

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In Dark Ladies & Other Avatars, her debut poetry collection, Joan Roberta Ryan pays exquisite attention to seeing, eating, feeling, reflecting, and remembering — acts of attention that define what it means to live fully and well. Lit up by sparkling specificity and wit, these beautifully crafted, mostly free verse poems focus on both lovely things and disturbing things. Ryan’s subjects range from contemplations of literature and art, to heart-breaking poems about a sister’s mental illness, to appreciations of family members and their prized possessions. Most touchingly of all, the poet writes of long-married love and the art of domestic life. Ryan’s language is erudite, but her poems are never obscure. Even when she deploys unusual words, such as “akathisia” (a movement disorder) and “anosmia” (loss of the sense of smell), she does in the service of exactitude; readers get to increase their vocabularies in the bargain. Ryan incorporates subtle half-rhymes and enlivening tonal changes. She writes smart poems with heart. More… “The Dark Lady Ryan”

Lynn Levin is a poet, writer, translator, and teacher. She is the author of seven books, including the poetry collection, Miss Plastique; a translation from Spanish, Birds on the Kiswar Tree by Odi Gonzales; and, as co-author, Poems for the Writing: Prompts for Poets, second edition forthcoming 2019. She teaches at Drexel University. Her website is www.lynnlevinpoet.com.

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I have read with dismay Jessa Crispin’s interview with Shlomo Sand, the anti-Jewish Jew (he renounced his religion in his book How I Stopped Being a Jew) and the anti-Israel Israeli (as he details in this interview). The animus he bears toward Judaism and Israel vies with that of non-Jewish anti-Semites who seek to deny Israel as a homeland for the Jews. Although Crispin did not intend it this way, the “fever” and “fractured sense of self” she speaks of in her introduction accurately capture the conundrum of Shlomo Sand. Sand’s own roots (renounced or not) do not give him license to make blanket generalizations, outright false accusations, and other specious arguments. I appreciate the opportunity to respond to this piece. More… “On the Question of Shlomo Sand”

Lynn Levin is a poet, writer, translator, and teacher. She is the author of seven books, including the poetry collection, Miss Plastique; a translation from Spanish, Birds on the Kiswar Tree by Odi Gonzales; and, as co-author, Poems for the Writing: Prompts for Poets, second edition forthcoming 2019. She teaches at Drexel University. Her website is www.lynnlevinpoet.com.

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When I was a student at Northwestern University during the mid 1970s, my father visited Chicago for medical conferences a couple times a year. On these occasions, he would make it a point to treat me to dinner at a white tablecloth place downtown — usually $$$ in the AAA Tourbook. I would take the El down from Evanston. Dad and I would indulge in stylish 70s dishes like Steak Diane or Chicken Kiev. Shrimp cocktail first, of course. I was the envy of the girls in the dorm who were forced to fork their way through the mystery meat in the Willard Hall cafeteria.

My parents’ marriage had fallen into the dumpster at this point, and our father-daughter dinners felt vaguely like dates. I’d guide the conversation along a light path — my French and… More…

I have been known to eat foods that others snub. As a student, I lived off back-of-the-store, reduced-price vegetables and fruits. Day-or-more-old muffins and danish were a treat. My best company dish was a cheap and tasty enchilada casserole that I made with chicken necks and backs. So it was only natural I should one day undertake a real gastronomic adventure. I should try to eat a pet, a nice small one. A guinea pig would do, and the place to accomplish that was Peru where cuy, as guinea pig is known, was said to be a staple of the traditional diet.

Of course, I didn’t travel to Peru just to challenge the frontiers of dining. It had long been my dream to explore the cloud-crested ruins of Machu Picchu and to glide upon Lake Titicaca in a reed boat. I wanted to brush up on my Spanish. I wanted… More…