Recently by Paula Marantz Cohen:

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Seven years ago, I interviewed architects Robert Venturi and his wife and partner, Denise Scott Brown, for the Drexel InterView. The show, produced out of this University, showcases individuals in all walks of life who have contributed in important ways to our society. Venturi and Brown, who had done some of their major work in Philadelphia and whose practice was located in the city, had long been people I wanted to interview. Venturi had written the groundbreaking Complexity and Contradiction in Architecture in 1966 and, with Brown (and Steven Izenour), the perhaps even more influential Learning from Las Vegas in 1972. They were giants of modern architecture who had managed to oppose both modernism and postmodernism with a singular vision of their own. More… “Learning from Robert Venturi”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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I grew up in the 1950s and ’60s, and my mother was a working woman who didn’t like to cook. Although she dutifully made dinner for us every night, these were perfunctory and repetitive meals: meatloaf made with Catalina salad dressing, spaghetti with tomato sauce and occasional meatballs (also made with Catalina salad dressing), roast chicken (overcooked), and instant chocolate pudding or Jello for dessert. I looked with envy at my friends whose stay-at-home moms prepared things like veal parmigiana and shrimp scampi, baked alaska and pineapple upside-down cake.

At the time, convenience foods were sparse, limited mostly to canned foods. For many years, my idea of vegetables were greenish things floating in yellowish liquid that were dumped in a saucepan for 30 minutes so whatever taste and nutrition they contained had been boiled away. Another familiar adjunct to our meals was cream of mushroom soup — flavored lard to be added to casseroles, dips, or anything that needed a fat and sodium boost. Also, pork and beans: snippets of fat drowning in a salty mush and introduced alongside the occasional boiled hot dog (my mother saw hot dogs as low class but made an exception by serving them under the name of frankfurters). Finally, there was the much-loved macaroni and cheese — elbow macaroni and Velveeta — served to us when our parents went out for dinner. More… “Dinnertime and its Discontents”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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When I was growing up in the late 1960s and early ‘70s, bad television was a redundancy. Think about what we had: The Beverly Hillbillies, Rowan and Martin’s Laugh-In, Petticoat Junction, Get Smart, The Man From U.N.C.L.E. (even if Robert Vaughan did have a PhD). My parents, first generation intellectual snobs, were very down on television. I can remember my father looking up from his I.F. Stone’s Weekly and directing my sister and me, blissfully engrossed in The Man from U.N.C.L.E., to “shut that damn thing off!” More… “Bad Television”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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Both the TV and the viewer exclaim, "I Love It!"
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During a protracted period on the couch with a stomach virus a few months ago, I found the only thing I could keep down was HGTV. The voices on these shows were so soothing and nonjudgmental, and the hardwood floors, finished cabinetry, coordinated backsplash, and designer-rustic farm sinks so aesthetically pleasing that I was lulled back to health before I knew it. I came away with a deep appreciation for how this programming functions in our culture.

To begin, it is useful to observe what these shows are not about. They are not about self-improvement. To be sure, they focus on improvement — i.e. on the production of a nicer envelope for living. But no effort is made to improve the health, wealth, or moral fiber of the clients being served. This, quite frankly, is a relief. We have passed through the cultural interlude in which we were bullied relentlessly about eating better, exercising more, and brightening up our personalities (not to mention our teeth). This, I believe, has made us acutely aware of how lazy and inherently imperfect we are, creating anxiety and anger as the eventual byproduct. Our current political situation can be understood as a backlash against that wearisome imperative that we be better than what we are inclined to be.  More… “Our HGTV Moment”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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Cecilia Beaux (1855-1942) is known, if known at all, as a quiet, conservative painter — a portraitist of the wealthy and well connected in late 19th- and early 20th-century America. Neglected for most of the last century, she has received a modicum of recognition in recent years, with a number of monographs and a comprehensive exhibition of her work in 2007-2008. Contemporary critics have characterized her, much as those of her own day did, as a very good painter, technically proficient, and dedicated to her art.

But this assessment doesn’t begin to do her justice. It seems time for Beaux to be viewed afresh, not just revived. For she is more than a conventional realist, more than a realist with Impressionist tendencies, more even than a portraitist. She is, I would argue, a great original, for whom labels of school, method, and genre fall short. She deserves comparison with her great predecessor, Édouard Manet. Manet was brash and revolutionary; Beaux, restrained and insinuating — but she repays attention with insights as profound. More… “Beaux Monde”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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We all know that a book can change the shape of history. Think The Communist Manifesto and Introductory Lectures on Psychoanalysis, not to mention the Bible and the Koran. But a book review? How much influence could a book review possibly have?

Judging from Norman Mailer’s review of Norman Podhoretz’s 1967 memoir, Making It, a lot. Serving as a catchall and a coda for the collective judgment of liberal intellectuals of the day, Mailer’s review would help turn Podhoretz against his progressive roots and harness his exceptional energy and intellect on behalf of neoconservatism, a movement that played a role in the election of Ronald Reagan, the two Bushes, and Donald Trump.

More… “Always a Critic”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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Growing up in suburban New Jersey during the 1960s, I always thought of Leonard Bernstein as a kind of distant cousin. All Jewish families who had emigrated from Eastern Europe had people evocative of Bernstein — charismatic, larger-than-life talents who seemed to skirt danger.

It’s not entirely clear whether Lenny, as his friends called him (though his grandmother had insisted on calling him Louis, his given name) was a child prodigy, only that he loved music from an early age and was branded a genius when he arrived at Harvard. His genius showed most dramatically in his energy and inventiveness — a restlessness that some saw as a tragic flaw. More… “My Cousin Lenny”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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Schadenfreude: joy in the misfortune or shame of others. When someone of high station or great accomplishment falls or fails we can feel assuaged in our relative obscurity by knowing that we suffer in less dramatic and public ways. So many joys in life are comparative — and this is one of them.

Schadenfreude is a sophisticated emotion — a combination of jealousy and revenge refracted through the lens of voyeurism. Part of the appeal of schadenfreude is that it takes no effort and involves no responsibility. We experience it like rubberneckers at an accident. In this regard, it is an innocent sin, one that ought not to evoke guilt — or so I tell myself. More… “Schadenfreude TV”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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Chuck Barris died Tuesday night at the age of 87. He was a “character,” as my father liked to say of people who kept you interested despite being irritated by them. I interviewed him in 2008. He had graduated from Drexel University (then Drexel Institute of Technology) in 1953, and, following graduation, talked himself into a position as a page at NBC, then parlayed this into a higher-level job at ABC. He eventually opened their Hollywood office where he began to build his game show empire. He was the mastermind behind such shows as The Dating Game, The Newlywed Game, The Parent Game, and, most famously, The Gong Show. When I interviewed Barris 9 years ago, I found him to be an unintegrated mix of the naïve, the boastful, and the cunning. When I asked him about his book, Confessions of a Dangerous Mind, in which he claimed to have worked undercover as a CIA assassin (the book became a movie directed by George Clooney), he was predictably evasive. Part of the hype for that book was that Barris never revealed whether it was fiction or fact. Still, I sensed he was getting tired of the goof. He wanted to unmask — showmen always do. He had an instinct for what the public wanted and a relentless drive for celebrity and success. But he was also a simple Philly boy with a chip on his shoulder and a desire for acceptance in more respectable circles. He’d been labeled the King of Shlock for his game shows, but he wanted to be seen as a serious author. When we talked, he was working on a book about his daughter, who died of a drug overdose in 1998. • More… “I Remember Chuck”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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I interviewed Karen Armstrong, the deep-thinking comparative religionist and former nun in 2009 and still remember vividly the openness and subtlety of her thoughts on religion. Now, more than ever, her insights into the kinship among religions and the value of compassion and empathy seem worth hearing. Her landmark book is the 1993 A History of God: The 4,000-Year Quest of Judaism, Christianity, and Islam. • More… “Celebrating Karen”

Paula Marantz Cohen is Dean of the Pennoni Honors College and a Distinguished Professor of English at Drexel University. She is the host of  The Drexel InterView, a unit of the Pennoni Honors College. The Drexel InterView features a half-hour conversation with a nationally known or emerging talent in the arts, culture, science, or business. She is author of five nonfiction books and six bestselling novels, including Jane Austen in Boca and Jane Austen in Scarsdale or Love, Death, and the SATs. Her essays and stories have appeared in The Yale ReviewThe American Scholar, The Times Literary Supplement, and other publications. Her latest novels are Suzanne Davis Gets a Life and her YA novel, Beatrice Bunson’s Guide to Romeo and Juliet.

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