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There’s a scene in Uzumaki, Junji Ito’s much-lauded horror series, that I think best exemplifies his particular style. The overarching story involves a secluded village in Japan whose residents become obsessed with spirals and usually meet grotesque and destructive ends as a result. In the third chapter, a scar on a teen girl’s forehead turns into a spiral black hole of sorts, eventually consuming her entire body. A horrific reveal shows the spiral hole extending back into her head, her right eye sitting gruesomely on the edge of her face. Then, in a series of smaller panels, the eye starts to roll back towards the vanishing point in the back of her skull.

It is, obviously, pretty horrific. It’s also very, very funny: a rimshot as we literally stare into the abyss, acknowledging the absurdity of the image while underscoring the gore. More… “Death by Balloon”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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Caricature and political cartooning is not some willy new form of expression. Ever since there has been someone ready to declare themselves in charge, there’s been someone equally willing to mock them via an unflattering portrait or two (though perhaps doing so in previous centuries shortened the artist’s lifespan considerably).

All that being said, there have been few political figures in American history that have invited as much ire and ridicule as much as our current president, Donald J. Trump (yes, I’m including other recent presidents). His policies, his offensive comments, and his seeming disregard for basic civility have resulted in an abundance of cartoons making fun of his hair, weight, speech patterns, and just about every other aspect of his persona. More… “The Tremendous Trump”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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There was a time way back when, if you were a serious comics fan, you could keep up with everything being published in a reasonable manner. Maybe not read everything per se, but you could at least be aware of all the movers and shakers and titles of note within a given year.

That era has long since passed. There are so many genres, markets, and subcategories of the comics industry these days — webcomics, art comics, kids’ comics, superheroes, manga, manwha, comic strips — that keeping track of it all is a flat-out impossible task.

So a caveat is in order: I have no blessed idea if these are in fact the best comics of 2017. Perhaps there are other comics out there that, had they been waved under my nose, I would have liked more than what’s listed below. What we have here are merely my favorite comics that came out in 2017 that I actually read. At least for the nonce. Who knows how I’ll feel about anything, comics or otherwise, come the morrow? More… “Comic Countdown”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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The release of the first issue of DC’s Mister Miracle, a 12-issue limited series written by Tom King and illustrated by Mitch Gerads, was heralded with the sort of hosannas that are normally reserved for church. The A.V. Club called it “dazzling” and “emotionally wrenching.” Entertainment Weekly declared it “by far the best comic on stands right now.” io9 dubbed it “one of the best comics of the year” and, in another article, said there was “no better way to honor [Jack] Kirby’s contribution to the comics world.” And Comic Book Resources went as far to breathlessly declare that “King & Gerads Have Redefined Mister Miracle, and Possibly Comics.” More… Mister Miracle

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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No one on the globe is making comics like Yuichi Yokoyama. That seems like a foolish thing to say — after all, I haven’t tracked down every cartoonist on the planet to do a comprehensive compare/contrast analysis — but I feel like it’s a pretty safe bet nevertheless. Completely unconcerned with the conventional aspects of storytelling — most notably plot and character — Yokoyama has built a body of work that is utterly unique in its near-relentless exploration of motion, sound, and structure. His comics are enthralling and dynamic, but at the same time drained of emotion, as if an alien race was trying to mimic a typical comic but couldn’t quite get the hang of it.

Yokoyama began his career as a fine art painter but moved to creating manga out of a desire to “draw time” (he has pointedly noted in interviews that he is not familiar with most other forms of comics, manga or otherwise). His initial book, collected in English in 2007 by Picturebox, was titled New Engineering and featured battles in libraries and autonomous construction projects. Travel, about four men that go on a train trip, came to the US in 2008. Garden followed a group of people exploring a strange, expansive landscape. Color Engineering saw him experimenting with mixed media. More… “The Yunique Yuichi”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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My family and I have a game that we play around the dinner table every so often, unofficially titled “Name Your Favorite Little Lulu Story.”

For my teen daughter, it’s inevitably the story where Lulu and Alvin fall into hysterics over the sound of the word “foot.” My wife prefers the one where the gang goes to the beach and a crab keeps stealing hot dogs. For me, it’s always the story where a vengeful Lulu cons the neighborhood boys into wearing diapers and then sends them careening (via wagon) down a hill into the middle of the road. My son isn’t as big a fan as the rest of us, but he does like the one where Tubby attempts a daredevil act and Alvin keeps yelling “fake.”

There aren’t many works of art, cartoonish or otherwise, that can get us all gushing like that during mealtimes, to the point where we’re acting out our favorite lines of dialogue. But those Little Lulu stories hold a special place in our home. In an age where any media that claims to have an “all-ages” appeal usually just indulges in cynical, tired jokes and simpering cliches, these decades-old comics manage to be that rare work that can inspire genuine delight in both children and adults.

More… “Life with Lulu”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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I am not a fan of H.P. Lovecraft. I have attempted a number of times (well, OK, two) to delve into the seminal horror author’s work and each time found myself unable to proceed very far. Whatever merits his prose might possess, I have repeatedly found his stories overly written, overly mannered, devoid of compelling characters, and incapable of producing believable dialogue. And then there’s all that racism.

That being the case, you would think that something like Providence, the recently finished 12-issue comic by writer Alan Moore and artist Jacen Burrows, would hold no appeal for me, seeing as it delves heavily into Lovecraftian mythos, to the point where the author himself appears as a significant character. How could I possibly find enjoyment out of a comic that is pretty much a treatise on an author I really don’t care much for?

More… “The Provenance of Providence

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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Jimmy Yee cannot kill himself.

It’s certainly not for a lack of effort. Hanging doesn’t work. Slitting his wrists is useless. Shooting himself in the head, overdosing on pills . . . nothing he tries gives him the exit into oblivion he so clearly craves. Each time he succumbs, he witnesses a glowing ring of light, then awakens once again in his motel room. At least it seems like his motel room. What is going on? Maybe if he throws himself in front of a truck . . .

That’s the opening sequence to Demon, Jason Shiga’s bloody brilliant (or brilliantly bloody) action comic, a no-holds-barred assault on good taste and timidity that proves to be as hilarious and captivating as it is incredibly violent and profane. Originally serialized both online and via print pamphlets by the author, Demon is now being “officially” published as a four-volume series of books by First Second. The first volume was released late last year, the second just last month — volumes three and four will be coming out by the end of 2017. More… Demon am I”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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There are three kinds of Gerald Jablonski stories.

The first stars Howdy, a middle-aged, bear-faced (or is it dog-faced? It’s difficult to tell) man and his nephew, Dee Dee, a yellow-skinned lad with tiny dog ears (or are they horns?). Howdy is perennially upset because Dee Dee is playing music by his favorite band, Poopy, too loud and Howdy can’t hear his serial radio program. The pair start to bicker and trade insults. This always, always, always turns into a discussion of Dee Dee’s teacher, who is an ant. As in the insect. There is a third man, “a friend of Howdy’s nephew”, who looks a little bit like Felix Unger, wears a pink apron, and hangs in the back of every panel with a pained expression on his face. He never says anything. More… “Jablonski’s Barnyard”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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The apocalypse is all the rage these days. Of course, it’s a topic that never completely goes out of fashion. There’s always some person raving on a street corner about how all is lost and a few folks huddled around him or her, eager to listen. But these days, what with climate change, bees dying, ebola, and, of course, the recent election, it’s a topic on a lot of folks’ minds (at least judging from my social media feeds).

It’s a topic that’s on the mind of cartoonist Julia Gfrörer (pronounced “gruff-fair”) as well, or at least it’s the central setting of her latest graphic novel, Laid Waste. Gfrörer isn’t interested in depicting wanton death and destruction a la Michael Bay, however, as much as she is in depicting her characters’ attempts to find some sense of hope or solace in a world that is swiftly falling down around them. More… “Wonderful Waste”

By day, Chris Mautner is the mild-mannered social media producer for PennLive.com. By night, he writes about really nerdy things for The Comics Journal … and this site. He is ¼ of the podcast Comic Books Are Burning in Hell.

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