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When Donnette Thayer thinks about the definitive moment of playing in Game Theory — the much-beloved, if woefully underappreciated, San Francisco pop band in which she held down guitar and vocal duties from 1986 to 1988 — she thinks about the wine glasses.

Thayer, the late Game Theory frontman Scott Miller, and producer Mitch Easter were listening to the finished tracks on the band’s final album, Two Steps from the Middle Ages, when their review of the L.P. opening, “Room for One More,” was interrupted by a studio employee putting away stemmed wine glasses.

As the glasses clinked together, “they made the most beautiful, bell-like sound that fell into the track like it belonged there,” Thayer recalled in a written interview.

She told Easter, best known for producing R.E.M.’s debut E.P., Chronic Town, and its first two albums, Murmur and Reckoning, that they had to find a way to add the glasses to the track.

More… “A Theory of Game Theory”

John L. Micek is the Opinion Editor of PennLive/The Patriot-News of Harrisburg, Pa. He’s also the vocalist/guitarist in the power-pop band Milkshake Jones, which owes its own debt to those 1980s college rock combos.
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This month marks the 40th anniversary of a month of shows by the Grateful Dead that are regarded with awe by their legions of fans. At the core is the night of May 8, 1977, when the band played Cornell University’s Barton Hall and delivered what has long been considered their greatest show. In 2011, the Library of Congress added the Cornell show to the National Recording Registry even though it hadn’t been officially released.

This being the Dead, all the May 1977 shows have been circulating in various unofficial ways for decades. There was even an official box set of some May 1977 shows. But, until now, the Cornell show itself had never seen an official release. A limited-edition box set was put out this month, including a recording of the show along with three others previously unreleased. What is revealed should surprise no one at this point: the Cornell show was nothing special. It was in fact a typical night for the band in this period: sounding no different from other shows, comprising a set list of songs that were the usual suspects from that tour. Yet, this is high praise, because in May 1977, no band was delivering anything like what the Dead were putting on stage. More… “The Rocking Dead”

Richard Abowitz is the editor of The Smart Set. Get in touch at rabowitz@drexel.edu.
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