Skip to content
We started our “best of” practice in 2016, when it struck us that we were all pretty cool people who liked a lot of stuff. Most of our editorial meetings become exchanges of the movies, music, books, articles, podcasts, and tv shows we’re watching and loving. We have had informal office townhalls on Bob Dylan, Roxane Gay, and Beyoncé. We have created lists of the top female vocalists of the 20th century and debated the merits of authorship, discussed the role of fandoms, and every drama — no matter how great or how small — that have arisen in the past three years. The “Best of” post has become one of my most favorite rituals for The Smart Set. First, it allows us to reflect on all the material we’ve come across throughout the year and pluck those texts or people that really struck a chord. Second, it allows us to share that joy. We hope that you find below a few samesies from your personal lists and a couple of new things to binge.
More… “BEST OF 2018”
Rolanda D. Bell is an actress and singer from Oakland. Recently, she was featured as Nak in the film Blindspotting (created by Rafael Casal and Daveed Diggs). Outside of being very excited about this film, I was pleasantly shocked to see Bell, a plus-sized black woman, in an industry that tends to favor standard size, fair-skinned women of color. I had the opportunity to speak with Bell about what inspired her to start acting, the difference between working in theater verses working in film, and presentations of plus-sized black women in film. She will also appear in the Netflix film, All Day and a Night (created by the cowriter of Black Panther, Joe Robert Cole) coming Summer 2019. The interview has been edited for length and clarity.
More… “Resonating Roles”
Rafael Casal is a poet, rapper, producer, writer, and actor. Over the last ten years, he and his longtime friend and collaborator, Daveed Diggs, wrote, produced, and starred in their first film, Blindspotting. The story revolves around best friends Collin (Diggs) and Miles (Casal) during the last three days of Collin’s probation. As the days progress, their friendship is strained by Oakland’s gentrification and the community’s perception of Collin after his conviction for a violent crime. Throughout the film, heightened verse is infused to showcase Oakland, the city’s natural facility for language, and Casal and Digg’s background in poetry and music. I had the opportunity to speak with Casal about comedy as a vehicle to tell stories about trauma, toxic masculinity, unconscious bias, and the stories missing from Hollywood’s mainstream. The interview has been edited for length and clarity.
More… “In Plain Sight”