But first you have to write the ending.

Correction: First off, you must avoid any ending in which some godlike savior comes into the story to take care of everything and everyone. This is a deus ex machina, a last-minute, last-ditch, make-everything-right, sort-out-the-kinks-and-crinkles ending that satisfies no one.

Now: write an ending that is not deus ex machina.

We have already described one kind of ending. Beginning in medias res allows us to end with the beginning, which, done well, will then be surprising or informative, or both. More… “Cut the Cord”

Kelly Cherry‘s new poetry book is Quartet for J. Robert Oppenheimer. Her book of flash fiction titled Temporium is now available.


There’s one thing certain about the Dubliners: They’re looking to escape. They’re playing hooky from school to watch the ships along the riverside, or sneaking out of work to tip an elbow at the public house, or sitting in class dreaming about the Saturday evening bazaar. Mr. Duffy thinks that, in “certain circumstances” he could rob a bank, but the circumstances never arise. Lenehan thinks that, if only he could find a corner and some good simpleminded girl, he could live happily. No doubt about it, thinks Little Chandler, if you want to succeed you have to go away. Farrington’s boy, seeing no escape from his father, falls upon his knees. There is, for the Dubliners, an incompleteness in everyday life. There is a train always passing them by. If only the poetry book on the shelf, the girl, the drink, the confessional, the faraway place, the foreign sailor —… More…