They show farces in the Königstädter Theatre. The people who gather there are thus naturally very diverse. He who would study the pathology of laughter in a variety of estates and temperaments, ought not to lose the opportunity offered by the performance of a farce. The shouts and shrill laughter from the gallery and the second balcony are something completely different from the applause of a sophisticated and critical audience. It is a constant accompaniment without which farce could not be performed. Farce is associated, for the most part, with the baser aspects of life and thus those in the gallery and the second balcony recognize themselves immediately. Their noise and shouts of “bravo” are not judgments of the esthetic approval of individual actors, but purely lyrical outbursts of their own wellbeing. They are not even conscious of themselves as an audience, but would like to be down with the… More…