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Kader Attia is a multi-form French visual artist, recipient of the Prize Marcel Duchamp, a prestigious national honor for contemporary artists awarded in France. The following essay is based on a French-language interview between Attia and Thomas Baumgartner on Radio Nova in October 2016. In it, Attia investigates the many layers of fracture that underpin social crises in Western Europe — and a hope for dialogue. All quotes are translations of the writer.

Explaining what motivates his work as an artist, Kader Attia speaks in his native French of réparation. He does not simply mean “fixing” as we might be tempted to translate into English. Instead, réparation can be thought of as transformation. You get a semblance of the original, but in the process of mending an object is always made new.
More… “An Artist’s Search for Cultural Reparation in France”

Jared Spears is a writer based in Brooklyn. His work has recently appeared in Philosophy Now and on Jacobin, Lit Hub, and elsewhere on the web.

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It was a bright yellow table with four sturdy legs. White flowers arched gracefully across its shiny top. Two panels, attached by hinges to the main panel, hung on the sides. Without them the table was square. When the panels came up, the table morphed into an oval-top.

But its best feature was the price. At $5, it had my name written all over it.

I was a newly minted immigrant in this country, on a mission to cobble together the basic household items I needed as a student. A sleeping bag I had brought from India served as my bed. My tiny room had a built-in rectangular closet for my clothes. Reneé, my roommate, had just driven me to a department store where I purchased a fan (for $10, which turned out to be a great value; we still use it 16 years later) to minimize cooling costs…. More…