All The Way, HBO’s new movie about the passage and aftermath of the Civil Rights Act of 1964, is a messy and curiously double-minded affair. Like Selma, it wants to show that the shopworn narrative of white men grappling with fate in smoky rooms was never the whole story. But All The Way doesn’t give Martin Luther King’s movement enough screen time to live again as the complex entity it was. Instead it’s portrayed as one of the many blocks Johnson has to shift around to secure passage of the bill.
But if All the Way reduces itself to the story of Johnson’s break with Southern whites then, however unintentionally, it does succeed in making one point very clearly: Nostalgia for the Johnson presidency is misplaced, thanks to forces set in motion by the man himself. More… “They’re Not Coming Back”