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Paris was once all it was to be modern, urbane, sophisticated: a gilded temple at once to Enlightenment rationalism and ancien régime splendor. The American in Paris, now a cliché so well-worn that it may actually be coming back around to being counter-hegemonic, became so because it was where the leaders and intellects of that ideal-based nation came to imbibe the ideas that made it possible. Whole generations of American leaders, political, academic and otherwise, regarded the stay in Paris as an essential stepping stone to a well-rounded, mature outlook on the world. This being a time when the other great imperial capital, London, was still stuffy, choked with coal exhaust and deeply provincial despite its centrality to contemporary global order. Perhaps it is that same search for cosmopolitan virtue that still drives the droves of us, the Erasmus kids hastily spending bureaucrat stipends on wine and metro tickets, the Iranian post-docs gazing at stars in newly-built astronomy labs, to here, year after year. In spite of the ever-greater ticking of rent prices and the fact that the Champs-Élysées is now roughly 75% luxury chain stores and two-story McDonald’s franchises, Paris retains a mystique that resists disillusion down to its very essence.

If, indeed, all of Western modernity can be traced to the French Revolution, perhaps it is no coincidence that we who live in its shadow seek to draw something from the paving stones that flew through windows to make it so. Perhaps simply to make sense from gazing at the Nokia-signage-abutted Bastille monument how it could have come to pass, or perhaps more grandly to take on some of that brilliant foresight for ourselves. Those Americans may have felt that their nation was, at the end of the day, the superior one, but they felt a certain tutelage in liberté (if not égalité, nor fraternité) could only be undertaken in the space where it had, in their mind, bloomed the brightest. More… “The Paris Myth”

Carter Vance is a writer and poet originally from Cobourg, Ontario, Canada currently resident in Ottawa, Ontario. His work has appeared in such publications as The VehicleContemporary Verse 2, and A Midwestern Review, amongst others. He is a 2018 Harrison Middleton University Ideas Fellow. His debut collection of poems, Songs About Girls, was published by Urban Farmhouse Press in 2017.

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One of the most beautiful buildings I’ve ever had the luck of dining in is a Nando’s restaurant in London. Nestled in between London and Southwark Bridges, it has views of the Thames River and St. Paul’s Cathedral. There are brick walls and arches, and incredible windows. It is like the Oyster Bar at Grand Central only above ground. It is a space dreamed up to be photographed, the type of building where people pay thousands to get married. And in one of the vaulted booths overlooking the Thames, I sat with a group of friends late one Friday night. We were the masters of the universe with a bill under 40 quid. More… “A Dash of Peri-Peri”

Grace Linden is a PhD candidate in art history. Her thesis looks at  New York City’s downtown art scene after 9/11. Grace’s writing has appeared in Catapult, Lenny Letter, andC. Magazine, among others. She currently lives in London.

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From social commentary to commodity, Janette Beckman’s career is in many ways a classic model of the popular memory of punk rock. As a young photographer who documented London’s youth cultures in the 1970’s and early 1980’s, she found success and opportunity earning commissions from magazines and record labels. Like Johnny Rotten and Joe Strummer, Beckman sold her creative labor, just as thousands of artists and musicians have done for generations. Whether or not punk “sold out” is an oddly recurring but nonetheless pointless question: it was embedded from the beginning in contemporary commercial culture — in the ideas, languages, icons, objects, exchanges, and processes of consumption. It was always about selling, in one way or another. More… “Clash or Credit”

Josh White is a doctoral student at University College London and researches, among other things, the history of punk in the US and UK. He is also a writer and journalist for The Times.

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When protestors in Istanbul’s Taksim Square last year refused to back down to soldiers trying to remove them ahead of a massive government-sponsored construction project, more than a few people must have nodded to themselves: I know that place, where Galip and Kemal, protagonists of Orhan Pamuk’s Istanbul novels, go to the cinema, hail a taxi, have tea and pastry. But far beyond documentation, over the years Pamuk has transformed Istanbul streets and corners and neighborhoods into a kind of powerful metaphysical landscape, a character itself. The city’s history and mythology haunt the other characters, the searching humans. 

Nathaniel Popkin‘s latest book is the novel Lion and Leopard. He is also the author of Song of the City, and The Possible City, and is co-editor of the Hidden City Daily and co-producer and senior writer and editor of the documentary “Philadelphia: The Great Experiment.” Most of his work can… More…