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In the movies, makeovers are the answer to everything. Before, she is identifiable only by her big, bulky glasses and untamable, frizzy hair. She has no fashion sense, no boy sense, no social sense. No one notices her, no one pays attention. No one cares.

Then, something happens. It doesn’t really matter what or how — someone notices her, she becomes a princess, or a part of a bet — it just matters that now, things are different. Now, she must change. So, with the help of a friend or a makeup team, she goes from ugly and unknown to pretty and popular. Someone forces a flat iron to her hair, foundation to her face, heels on her feet. In an hour and a half, two tops, the grand transformation has occurred.

Suddenly, she’s wanted. The mean girls want to be her friend and the popular boy asks her to the dance. She stands taller, speaks louder, sounds smarter, her clear skin and cleavage making her more confident. More… “The Banal and the Beautiful”

Camille DiBenedetto is a staff writer for The Smart Set and an English major at Drexel University. In her free time, you can find her watching romantic comedies, listening to slam poetry, or rereading The Summer I Turned Pretty for the 27th time.

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The following is an excerpt from the newly released Getting Dressed: Confession, Criticism, Cultural History, by Paula Marantz Cohen. Read on below and buy Getting Dressed today from Smart Set Press.

 

As a teenager, I had acne. Not the acute kind that could be cured by Acutaine, but the milder variety that didn’t go away even with copious use of Stridex pads and Phisohex. My spotty face eroded my self-esteem and made it hard for me to look people in the eye. But something positive did come out of those painful, pimple-ridden years: I discovered makeup and my life became richer for it.

When you start to ponder it, you realize that makeup is a… More…