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It’s a bit specialized, admittedly. Nonetheless, Ben Davis’s Repertory Movie Theaters of New York City: Havens for Revivals, Indies and the Avant-Garde, 1960-1994 delivers exactly what the title promises. If you were ever dying to know what sort of programming choices distinguished the Carnegie Hall Cinema from the Bleecker Street Cinema in the 1970s, this is the book for you. But it might also be the book for you if you ever fell in love with movies and had a favorite theater or two, whether in New York or any small city or college town, to nourish that love. When I moved to New York in 1978, I fell so hard for movies that Davis’s book (hereafter RMTNYC) reads more like a lost diary from my youth than the erudite, exhaustively researched study that it is. Accordingly, what follows is less a review of the book than of my life. How can I talk about the Thalia without mentioning the movie-mad debates I had with the girl I loved and my best friend on our way to and from the screenings there? At the time, we were all grad students at Columbia, but the real education we got was in the theaters and the streets. More… Singin’ in the Rain for the 68th Time”

Stephen Akey is the author of the memoirs College and Library. A collection of his essays, Culture Fever, was published in January.

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From the perspective of a movie theater owner, all those lethargic explosions in Inception were just very expensive commercials for giant boxes of Goobers and Raisinets. Likewise, Colin Firth’s carefully modulated anguish in The King’s Speech. The Regal Entertainment Group — America’s largest movie theater chain with 548 theaters in 39 states — reports that its average patron spent $3.09 at the concession stand in 2009. That may be chocolate-covered peanuts compared to the revenues theaters generate from admissions at a time when tickets typically go for $7.95. But theater owners don’t have to split concession sales with distributors, and the mark-ups on salty tubs of popcorn and watery vats of Coke are huge. According to Smart Money, approximately 85 cents of each dollar spent at the theater candy counter is pure profit.

 

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