In politics, at different times in my life, I have been on the center-right and the center-left and the center. But in spite of having co-authored a book entitled “The Radical Center: The Future of American Politics,” I have never really been a radical of any kind. I understood why recently when I read, for the first time, one of the late philosopher Richard Rorty’s most celebrated essays, “Campaigns and Movements,” published in Dissent in the Winter of 1995.
Rorty began by poking fun at the belief of the editors and writers of Partisan Review in the middle of the twentieth century that it was very important to support both democratic socialism and avant-garde modernism in the arts, which were both linked in some obscure way to “the crisis of modern society.”
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