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I do not say that the novel must be, or more often than not is, political. But where there are characters, the political may be found. A writer chooses to accent, plunge into, or ignore the political, but characters insist upon liking or disliking something that is happening or has happened or may happen. In short, every character has an opinion, whether he cares about it or not.
More… “Novel Politics”

Kelly Cherry's new poetry book is Quartet for J. Robert Oppenheimer. Her book of flash fiction titled Temporium is now available.
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painting of a woman reading a novel
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There’s a David Shields quote that I have encountered multiple times, first in his own book Reality Hunger: A Manifesto, and most recently in “Note to Self” by Elaine Blair, a review of the work (both written and editorial) of John D’Agata, subtitled “The lyric essay’s convenient fictions.” Both D’Agata and Shields are proponents of blurring the distinction between fiction and nonfiction. This is the quote (boldface mine):

Why do I so strenuously resist generic boundaries? Because when I’m constrained within a form, my mind shuts down, goes on a sit-down strike, saying, This is boring, so I refuse to try very hard. I find it very nearly impossible to read a contemporary novel that presents itself unselfconsciously as a novel, since it’s not clear to me how such a book could convey what it feels like to be alive right now.

More… “Why Read Novels?”

Elisa Gabbert is the author of L'Heure Bleue, or the Judy Poems (Black Ocean), The Self Unstable (Black Ocean) and The French Exit (Birds LLC). Follow her on Twitter at @egabbert.
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