I never knew Eric, he was always Sam’s friend, but like many people in our city, I knew who he was. Riding a bicycle down Langalibalele Street, heading towards the city center of Pietermaritzburg, it was hard to miss his double bed jammed into the double doorway of the old and abandoned St. Anne’s hospital. It wasn’t just a double bed in width, but in height, with two bases and two mattresses, giving the impression that this was how the princess and her pea would live, if she were homeless.
Sam first noticed the hospital, before he noticed Eric, and he loved it, with its tangled garden and hanging shutters and star-cracked windows. A few meters from Eric’s bed, an embroidered heart flapped in the wind, given as a red get-well gift, now grey. Behind his bed, a chain padlocked the double doors. I pictured the floors shiny, disinfected, the corridors bustling with soft-shoed nurses one day, and the next day superintendent pulling the double doors to, winding the chain, clicking the lock, saying, “Well, that’s all folks. Thanks for everything.” More… “Eric Was Here”
Sarah Groves lives in an apartment in the inner city of Pietermaritzburg, South Africa with 1 husband, 5 children and 98 neighbours. She spends her afternoons writing, and her evenings enjoying the city. It’s dirty, noisy and busting with language and culture, from all over Africa. Her first childrens's book (Sbonelo Snoop) was published last year with Penguin SA.
Arguably America’s favorite film, as measured by various polls over the years, Casablanca turned 75 in November. Special screenings have been held across the country. Encomiums have appeared in periodicals. But perhaps it’s time to take stock of this fan favorite.
Its appeal is well earned. The plot is full of surprising twists and tense moments. The story is uplifting: a cynical, bitter American expatriate running a nightclub (called “Rick’s Café Americain”) in Vichy-controlled Casablanca is inspired by the reignited love of a woman to take incredibly brave steps, including renunciation of future bliss with his lover, to help a great resistance leader escape his Nazi pursuers. Its leads, Humphrey Bogart and Ingrid Bergman, have two of the most cinematic faces in the history of the medium. Claude Rains, perhaps a more skillful actor than both of them, has a strong secondary role. The cast includes the great character actors Sydney Greenstreet and Peter Lorre, and lesser-known but excellent ones such as John Qualen and S.Z Sakall. The director, Michael Curtiz, knew how to use the camera to underscore emotions. There are some great laughs. The film’s setting is exotic, reeking with promise of intrigue and adventure. In essence, it is a film about moral redemption, regained love, courage, and personal sacrifice for the greater good. What’s not to like? More… “Taking a Hard Look at You, Kid”
I had a dream, which was not all a dream. James Wood and Zadie Smith were doing battle in the sky. James was in silver armor and upon it the starlight did twinkle so. Zadie was in flowing white gowns. Her face was aglow with what I can only describe as a honey radiance. Still, I could see her freckles, which, I recall, pleased me to no end even as the terrible battle raged on and on. Twice, James smote her a heavy blow. Twice, Zadie raised herself up and hurled herself back upon him with swirling gowns and not an infrequent flash of thigh. Then the heavens went dark again and these two titans were seen to retire, he to one side of the galaxy and she to another. I thought I saw them both smile as the dream dissolved and the reality of a new day roused me… More…
One morning earlier this year, students gathered for the weekly assembly at Aitchison College, an elite school for boys between the ages of five and 18 in the Pakistani city of Lahore. It was, as always, a dignified affair. Shuffling to their places in an outdoor amphitheater, the boys wore school ties, blazers stitched with the Aitchison crest (“Perseverance Commands Success”) and puglis — starched indigo turbans once favored by native royalty. “Aitchison College, atten-shun!” shouted the head boy, a senior, stamping his foot like a drill sergeant. The principal stepped to the microphone. A tall white-haired man in a black academic gown, he surveyed the crowd with a benevolent but short-lived smile. He glared at one of the boys. “Take your hands out of your pockets,” he snapped in clipped, lightly accented English. “It’s rude.” The youth… More…