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The reasons to be enamored of the late poet Frank Stanford are endless. Stanford, who was born in Mississippi, lived in Memphis, and settled in western Arkansas (as much as he could ever “settle”), became a poet’s poet, a writer whose prolific output never penetrated beyond the small stable of writers and critics who wildly admired him. John Berryman, Alan Dugan, Allen Ginsberg, and Gordon Lish were fans. Given up by his biological mother at birth (in 1948), adopted by the first single woman authorized to adopt a child in Mississippi (Dorothy Gildart), and a frequent denizen of the levee camps where his later adoptive father (Albert Franklin Stanford in 1952) worked as an engineer, Stanford merged memory and fantasy to develop an iconic style that, as he published routinely throughout the 1970s, is best grasped in his defining The Battlefield Where the Moon Says I Love You. When his editor, Michael Cuddihy, first read this manuscript, he recalled, “It was endless, shot through with brilliant passages echoing Beowulf, Dante, the Troubadours, and others.” Stanford said he started writing it when he was 13. More… “What about That

James McWilliams is a writer based in Austin, Texas. His work has appeared in Virginia Quarterly ReviewThe New Yorkerand The Paris ReviewHe’s currently writing a book on the art and expression of the American South.

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